France in the first half of the 17th century, at the time of the Duke and all-powerful Cardinal Richelieu. The courtesan Marion Delorme falls in love with the nobleman Didier de Lassigny, although she is still with another nobleman at the time, the Marquis de Saverny. Marion then leaves the Marquis. This leads to a duel between the two aristocratic gentlemen, although duels were strictly forbidden in these circles by Richelieu. When this becomes known, Didier is put in chains and sentenced to death. Marion sacrifices herself for the sake of her new love, but the sacrifice is in vain. Didier, who refused to flee, is finally beheaded by order of the "red executioner" Richelieu.

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Executioner does not want to behead his lover, whose husband drank the cup with which she wanted to kill herself.

A little boy wants to become an executer, just like his father.

他們是唯一可以殺人的人，每個人以他自己的方式，總是在清晨的時候。他們執行的是透過法治程序下的判決。劊子手。現在，他們露出他們的真面目，講他們的人生故事，說明他們的「手藝」。 經過漫長的5年研究與拍攝過程，這部非常特殊的紀錄片於2002年完成。西德、東德、法國、匈牙利、南斯拉夫及羅馬尼亞等國的末代劊子手終於面對著鏡頭， 歐洲走到800年執行死刑歷史的盡頭時，他們是活生生的見證人。這部電影是深感人心的紀錄片，給我們機會去瞭解執行者的人生故事，瞭解他們的背景及個人命 運。如此以來，他們「職業」的形象及劊子手本身的人性結合成一種充滿矛盾的整體。

Four years have passed since the unsuccessful search of the "brothers" Ernst, Ludwig and Adrian Stadler ended after a common father with the determination: "I have three still brothers". Ernst has now acquired fame with a cooking program on television. He lives separately from Iris The mother of his twins. Ludwig operates a well -walking bourgeois restaurant. Adrian helps in the kitchen there and, because of a side jump by friend Michael, moves from the shared apartment to Ludwig into the mother's house. The ratio of the three fake brothers still shapes the ratio of the three fake brothers. When Adrian processes the experiences of the father search in a novel and develop between Ludwig and Iris tender gang, even the resilience of Stadlerscher family gang seems to have finally exceeded their limits and their lust for the argument have lost the unifying force.

Immerse yourself in the private world of Canadian soprano and conductor Barbara Hannigan in this unique documentary directed by her collaborator, French actor and director Mathieu Amalric. The film offers a unique insight into Hannigan’s work as she rehearses a new piece that New York instrumentalist and composer John Zorn has created especially for her, accompanied by British pianist Stephen Gosling.

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In a cramped apartment, a naked man caresses himself in an equivocal manner with a small doll. A visitor rings the bell. The two men shake hands and begin to chat quietly. Their meeting seems to be a date where they will indulge in a masochistic sexual game. But very quickly, the events will degenerate. This is when the doll comes into play.